31 December 2007
Happy New Year!
25 December 2007
Spotted!
10 December 2007
We're Live!
The Only Way is Up
My new boss, S, is brilliant. When I arrived at the company, full of cynicism and convinced that all men over the age of 38 (it’s a rough estimate) in the workplace hate me and seek to destroy my career, I was only on a temporary contract. On Day 3, S offered me the job permanently and cancelled all remaining interviews with the other candidates. S, of course, is gay. He is also on a low-carb diet, used to train with one of my trainers at the gym, firmly believes that daily physical exercise is the key to a focused mind, and nodded sympathetically when I complained to him that the photo on my security pass makes me look as though I have just had a very obvious botox treatment.
"I am very scatty," I told him. (It’s true; as my friend S says, I can write a business plan, but I can’t dress myself.)
02 November 2007
Much Ado About Nothing
29 September 2007
Ageing Disgracefully
22 August 2007
Update
29 July 2007
Love God: The Sequel
Me: Well, well, well, if it isn’t Love God. How the hell are you?
LG: D, you sexy princess… when do I get to see you again?
We catch up on briefly on our dating experiences; I reveal only that I am nursing a bruised heart, trying in vain to prove to myself that there are plenty of other like-minded men on here I will click with, and that I am not looking for anything heavy; he tells me about the 2 failed relationships he has had since we last met. And then:
LG: So – you gonna come out and play again
Me: [in spite of self] Yeah, why not? But platonically…
LG: [clearly having not brushed up on his charm skills in the interim]: U mean I can’t undress you one day?
Me: Don’t push it, babe
Oh, what the hell? I left him my number and logged off.
24 July 2007
Spotted in the Big Apple
22 July 2007
It's a Small World
First of all, a confession: I am back on the dating website. Yes, I know I swore I’d never do it again, and I guess I can’t deny that a tiny part of me is looking… but really, I had 2 motivations for doing it:
I had 38 unread messages in my inbox, which I couldn’t access unless I resubscribed, and I was curious- I am really trying to move on from recent experiences and prove to myself that there are men out there who share a similar vision and purpose to their life, who have a social conscience, who don’t try to fit me in a box (or indeed a 5 bedroom home in suburban hell and try to immediately impregnate me), and with whom I can share a deep intellectual conversation, or visit an art gallery with or at least have an enjoyable coffee without one of us wanting to poke the other’s eyes out
It turns out, there are no men meeting these requirements. Although at least I am making an effort to move on.
But what is most alarming – and this is moving on from our recent discussions on related matters – is that between the dating website and Facebook, I feel as though my world is closing in on me. I recognise a lot of the people on the site as friends of friends on Facebook, and have not been able to contact some guys, as I know them to be either friends of friends I have dated, or – worse – ex-partners of friends of mine, where I know the history, and would be causing problems by getting involved.
The classic example occurred yesterday. It emerged that a guy I am meeting this afternoon (afternoon tea at Claridges, darling – for that pretentious reason alone, I know it’s never going to happen with him) knows both my sisters, and is completely mortified to have arranged a date with me (charming!). He has begged me not to tell either of them how we met – and even more alarmingly, he actually said to me that “should it become necessary in the future to disclose to them…” Eeek! I only agreed to a date, and I have made it clear I am not looking for anything other than a friend.
I have been going on a flurry of dates in the last 3 weeks in my bid to move on. I have enough material to write a book (and, oh, I probably will – some of the stories are utterly priceless). But honestly, all I want at the moment is to stay single, sociable, happy, fulfilled, and to move on!
I’ll keep you posted...
15 July 2007
Celebrating Difference, Diversity, Individuality and Equality Through the Arts
A friend of mine is a dance teacher at one such school. Yesterday, the pupils staged a performance which she had helped to put together, and she invited me along to watch. What I saw of the performance, the school, the pupils and the dedication of the staff not only impressed me, but moved me practically to tears.
This particular school, located in an underprivileged area of central London, is a specialist arts and media school. Through the media of music, dance, drama and art, the school asserts its ethos of drawing out the potential of each child and instilling in them a thirst for learning, while bridging cultural, ethnic and religious divides. In addition to this, the school is committed to community-wide projects. These involve working with various arts foundations to benefit the pupils, as well as organising adult learning schemes in which the wider community may participate.
After being treated to Turkish dancing and African music, the main performance, incorporating music, dancing and drama, followed the title “Longing to Belong”, celebrating difference and diversity. The performers included a local group of adults with learning difficulties, and the look of pride and achievement on their faces at the end was absolutely priceless – and I am in awe of the teachers and pupils for putting the production together.
It is very easy to be “liberal” when you have the educated and economic freedom to be so inclined. It is also easy to fall for the misconception that you are worldly and open-minded just because you went to school or university with a culturally, ethnically and religiously diverse group of people. We need to be finding and supporting schemes that educate and allow everyone to live together in a mutually respectful environment. And the arts are an ideal way in which to effect this, for 2 reasons.
First, because education is about so much more than passing academic exams and going to university. It is about learning about the world around you; how each of us is a part of it, and has the ability to mould it and make a difference. It is about instilling in each individual a love of life and people and learning – and the desire to be a participating citizen. It is about realising the skills and abilities of every person and encouraging them to blossom. And this is not something that comes from memorising your times tables. A creative, extra-curricular hobby is an ideal way of teaching these values. Having the opportunity to showcase and develop creative skills is invaluable. It is complementary to the national curriculum; I know that when I took up kickboxing, I learned one of the most important lessons of my life: that anything is possible, but it takes time, perseverance, patience, dedication, belief and hard work.
Second, because, in contrast to other social and professional situations, involvement in the arts (in theory) transcends the socially-imposed barriers that divide us in the first place. In the boxing ring, the orchestra or on the stage, we are all willing participants, working together towards a common goal – what is more precious than this, and what better blueprint for living our lives can there be?
14 July 2007
Facing the Facebook (R)evolution
Fast forward 10 years. The internet is now my primary form of communication. I use it for everything: for reference, research, several-times-daily communication with friends abroad; I use it to book travel and for most of my purchases: books, music, vitamins, superfoods, underwear (Myla, please, for anyone who wants to buy me a gift), men…
And then along came Facebook; the ultimate displacement activity tool for those serial procrastinators among us. I love it, and if any of you are wondering why we blog less than we used to, it’s because we’re too busy messing around on Facebook.
I don’t want to enter into any of the pretentious debates about Facebook that are currently appearing in the media over here. I think all those journalists are embarrassingly several steps behind the zeitgeist, and need to get over themselves. For god’s sake! It’s a social networking site, to be used (or not) as you wish (and most critics succumb in the end). Users have control over the content they share as well as their own privacy, and can choose to allow – or indeed block – anyone they wish into their network.
I’m also not interested in the – now dated – debate about the deterioration of communication and physical social interaction: we’re all busier now; we travel more and work longer hours; this has as much necessitated technological growth as it has resulted from the ever-developing modes of “virtual” communication. Blah blah blah – the upshot is that this is our reality now – get with it.
What I am interested in, however, is the extent to which Facebook (and to some extent, blogging) is eroding formerly rigid social barriers. Perhaps this is a specifically British concern, but as the popularity of Facebook has grown over here, any social reticence and desire for privacy we once had has started to disappear.
Some examples:
Last night, I was at a party. As I arrived, around 1am (busy weekend), I was accosted by a guy who was leaving:
“Oh – you must be D! I recognise you from your Facebook pictures! Shame we didn’t get to meet properly – A said she’d introduce us. I have to leave now, but never mind – I’ll message you on Facebook on Monday morning! Great boots you were wearing in those pictures, by the way, hahaha!”
And then this afternoon, my friend C called, to invite me to a brunch she is hosting at the end of the month. Before she hung up, she said (and I could practically hear her winking): “By the way, my friend M from Switzerland will be in London that weekend. He’d love to meet you – he saw your picture in my list of Facebook friends and says you have a lovely smile.”
Perhaps more astonishingly, a couple of guys from the dating website have – and I have no idea how – somehow tracked me down on Facebook, and are sending me messages. And in the last few weeks, I keep on receiving unsolicited “pokes” and friend requests from people I don’t even know – they see your profile in different groups and try to befriend you.
There’s nothing wrong with any of this: I ignore the creepy ones, message/flirt with the ones I think are fun, meet the ones I find interesting – and don’t accept friend invitations from people who are not my friends! But somehow, the casualness and familiarity that results from conducting your life from the end of a computer is spilling over into real, physical interaction. And actually, I rather enjoy it. I choose not to restrict my profile on Facebook; anything I have to hide, I simply don’t share it… and I rather like the idea of being seen. I like people being direct and forward, and although it’s a bit creepy that people I don’t know have checked out my profile – and admitted it to me! – before approaching me, I have to admit, I kind of like it.
Similarly with the blog: this is a creative outlet for me, and I have only shared the address with my friend J (recently-alluded to male platonic friend, upon whom I have bestowed the dubious honour of being my unofficial dating advisor; he has witnessed my greatest neuroses, and I figured there are thus no further secrets from him; he may as well read the bloody blog). Although most of the readers don’t know me, I still control what I share about my life (this is only a projected fraction); I choose not to share particularly difficult issues until they have been resolved, and out of respect, I protect the identities of, and don’t overtly share information about, the people I really care for (um, oh dear, apart from my mum and Evil Bitch Sisters). But there’s still something that delights me about the voyeuristic aspect of sharing some of my self, my thoughts and my life on this blog.
Facebook is unnecessarily feared and ridiculed by too many people. It is what you want it to be: a bit of fun and a way to keep in touch with lots of people at once (which is what it is to me) or – to some of my friends with high profile jobs – a bit of career publicity/propaganda. You can be as private or as public as you wish, and share or hide whichever information you wish. And indeed by watched by people you wish…
Oh, and that guy I bumped into at A’s party? Great guy. Witty, intelligent, charming, lots of opinions to share and stories to tell, fun, ambitious, attractive, confident, direct, persistent, etc… dammit, he’s only another bloody right-wing lawyer with offensive, xenophobic views on immigration, desperately seeking a Stepford wife.
Next!
07 July 2007
Questions To Ponder Over
How can you be sure that the lovely things that are said to you come from the heart, and are true and real – and not being fed to other people at the same time?
Do you carry on looking for something if you’ve already found it; and when the results of that search repeatedly reinforce your gut feeling?
Which is worse: to take a leap of faith because your heart, head, mind and gut tell you to – and these end up being wrong and you get hurt? Or to put up the barriers, run away and risk losing the most significant, rewarding and irreplaceable opportunity of your life?
How can you be sure that while you sit pondering, someone else is not benefiting from the very thing you desperately want and are holding out for? How can you be sure that the opportunity that could be on its way to you will not be diverted to someone else because it was never meant for you in the first place?
What happens if you wait for something that is being sent to you and it gets lost in transit and never finds you, either because it no longer wants to, or because someone else has stolen it?
I consider myself to be a very good judge of character, and my gut feelings never fail me… but I’m absolutely petrified.
03 July 2007
On Blair and Brown
Here are a few hastily reconstructed and crudely paraphrased points instead:
A bizarre, seemingly pointless and poorly written article appeared in the Sunday Times a couple of weeks ago by an outspoken critic of Blair (his name momentarily escapes me), basically saying that Blair’s dealings in Iraq etc were unforgivable and will overshadow his achievements, but hey, he smiled a lot, introduced Cool Britannia (if fleetingly) and engineered a new governmental trend in spin over substance (actually, I think that was Peter Mandelson in the ‘80s, but whatever), plus his almost evangelical belief that he was carrying out the will of God in Iraq was touching. And for that reason alone, isn’t Tony Blair a lovely man?!
I spent ages thinking about this, and – once I had stopped fuming and ranting – had to concede that I don’t entirely disagree with this, as uncomfortable as it makes me feel. However, I think that this is more indicative of how shallow our culture has become than it is testament to the greatness of Tony Blair.
I vividly remember the 1997 General Election. I stayed up all night watching it on TV with my cousin, and dancing round the flat at 6am when the Blairs arrived at Number 10, belting out D:ream’s Things Can Only Get Better, as my cousin sat sulking and chain smoking (he is a Tory, unfortunately), and those scenes really sum it up for me. We were always waiting for things to get better, and they kind of did, in the sense that Labour’s victory after 18 years of Tory government brought with it euphoria, optimism and promises of renewal and change. We had a handsome, young, cool new leader who used to have long hair and play in a rock band and who invited Noel Gallagher to Downing Street. Everything was about the “people”, and we somehow neglected to notice that behind the soundbites (remember “Education, Education, Education” anyone?) there was very little substance.
XXX
I ALWAYS say this, but I think that 1997 was a very interesting year culturally. Significant changes were coming about: in journalism, a new discourse was emerging, in which journalists turned their writing inwards and started writing about their lives (John Diamond writing about his battle with cancer in the Times on Saturday; Ruth Picardie writing a similar article in the Observer; Helen Fielding in the Independent – a column which was later developed into Bridget Jones’s Diary). Our growing interest in other people’s lives was displayed in the (then) astonishing scenes of mass public mourning following the death of Diana, Princess of Wales. Ten years on, we have become so media and PR savvy that it would be inconceivable now for the Royals to be so unprepared for such a reaction. Our interest in other people’s lives has grown to such an extent that our lives are practically one big reality TV programme. Everyone is a celebrity. Heat Magazine and Big Brother are only part of it. It’s all about the outer face rather than the inner substance. And perhaps that is why – even after Iraq – our enduring memory of Tony Blair is of his smiling face and he will be remembered fondly by a lot of people.
XXX
Gordon Brown is a different man, and I suspect one of more substance. Let’s see what his leadership brings.
_____
Addendum: I have been sitting in a coffee shop writing this, and had to leave hastily to use the loo in an adjacent bookshop, as someone was caught shooting up in the bathroom here (even Starbucks is not immune from insalubrious activity!). As I scrambled up the stairs en route to the bathroom in the bookshop in embladdered discomfort (breaking a toenail in the process – it really hurts, and I will now have to find alternative footwear to the strappy sandals I had intended to wear to Henley on Saturday), I stumbled upon a new biography, entitled something like “Gordon Brown: Prime Minister”. See? The man hasn’t even been in power for a week, and we already can’t get enough of his private life.
28 June 2007
Insomnia
There are no words, she says, and proceeds to fill the room with words, talking endlessly. The words rise up out of her and fill the room. They break away from each other and dissolve into nothingness. They circle me, strangle me. She speaks for me so I don’t have to, and I am grateful for her words.
Now, as then, what I feel cannot be expressed in language. It is a look, a touch, a curiosity, a desire, a warmth, an understanding, a gut feeling. There are no words for me any more; I don’t know how to put them back together, need the comfort still of their barrier.
Speak
I can’t.
26 June 2007
Blair's Legacy
D x
Coming Soon...
However, what I do have, aside from nearly 20 years of dating experiences and many tales – some amusing, some tragic – is an insatiable interest in and curiosity about the world and the people around me. Each person and experience in my life has (I hope) taught me something new and forced me to examine my own identity: as a woman, as a Jew, as a friend, a lover, a sexual being and a thinking person.
The new blog will examine some of these issues further, and will also explore other themes. Can women “have it all”? (short answer – no) Why, when I am so good at forming and maintaining relationships in general (it has been my key strength in my career for example) am I so incapable of having a serious relationship with a man? What internal identity struggles are forced to the surface by the whole (non-?)Jewish dating scene? How much of where we end up in our lives – and specifically with whom we end up – is down to social pressure and sheer fear of being “alone”?
And, in a fun twist, I have persuaded (bullied?!) a male friend to share the blog space with me, in an attempt to balance out the viewpoints. For as I said to someone last week, I’m not one for crude categorisations, and I rally against arguments based on biological essentialism, but honestly, sometimes, when it comes to men being a complete mystery to me, the evidence is sometimes overwhelming…
Watch this space.
24 June 2007
Birthday Brunch and Postmodern Identity Crisis
I am running down the rain-soaked streets, destroying the bottoms of my Juicy tracksuit (why is it they never drag on the pavement when it’s not raining heavily?). I am late, although thankfully, for the first Sunday in weeks, not hungover. The doormen swing open the heavy doors, and I stumble into the Wolseley and stand at the entrance, dripping wet and trying to catch my breath. From the middle of the room, Evil Bitch Sister No 1 (EBS 1) is glaring disapprovingly at my umbrella (captioned heavily with the words “Groovy Chick”) and looking as though she wants to kill me. We are here to celebrate my mother’s birthday.
“D!” trills my mother. “How lovely of you to finally join us!” The false jollity is a transparent dig at my timekeeping. "Let me look at you – I was beginning to forget what you look like, hahaha." (Note: I recently conducted an experiment to prove that, contrary to her perception, she is the one who never calls me, and if I neglect to call her for a couple of weeks, we will not be in touch at all. It has clearly backfired on me now.)
“You’re looking so much healthier,” she continues. “You were looking very gaunt earlier this year, and I was desperately worried. Now you look more… robust [ie you’re getting fat again] and you’ve got your colour back” [ie sunburned from runs in Regent’s Park]. I knew it! My thighs are ballooning!
EBS 1 smirks triumphantly behind her carrot juice, but says nothing: she is in a rare good mood at the moment, having successfully managed to manipulate and extort money out of my mother to buy a flat in West Hampstead.
I bury my head in the overpriced menu, wondering how – in a macrobiotic-friendly restaurant – I am still unable to find anything suitable to eat. I am already hot with irritation, and I remove my Juicy jacket to reveal a Little Miss Naughty T-Shirt. EBS 1 and EBS 2 squirm with embarrassment. “You look ridiculous,” hisses EBS 1. “You’re far too old to get away with that top,” says EBS 2. My mother looks despairingly at me. “Oh! You have some white hairs!” she exclaims, patting her immaculate blonde bob, as several people on surrounding tables look over to examine the growing visible signs of my aging process.
My mother is one of those irritating people who has never smoked and doesn’t drink, rarely exercises, has a largely stress-free lifestyle, still enjoys biscuits late at night, but has never had cellulite, and with the right make-up, can still pass for 47. She is 62. Unfortunately, I take after my father, who smoked 40 cigarettes a day, was an outrageous workaholic, lived on about 3 hours sleep a night and constantly over-committed himself to different causes. He was once mistaken for a pensioner by a pharmacist when he was still in his 40s.
“Now listen, D,” she continues, and I can tell from her tone that she is on a mission. The object of her last mission broke my heart, and she has been warned repeatedly to abandon her matchmaking attempts.
“I spoke to Auntie D last week, and she couldn’t believe that you live round the corner from her and still haven’t been round to them for dinner! She’d like you to come next Friday night. There’ll be lots of nice young people there!” EBS 2 makes funny faces at me in between bites of pain au chocolat. We all know what “nice young people” means, and she is grateful to have escaped from my mother’s latest matchmaking mission.
The mere mention of Auntie D is enough to induce a panic attack in me. Pushing 80, the woman is a walking warning against surgical intervention. The skin on her face is so tightly stretched, it is a wonder she can still talk; in fact she has such a prohibitive lisp, it is hard to understand a word she says, although her voice is certainly loud enough. Her yellow bouffant hair is more visible than the sun on a clear, bright day, her inch-thick make-up is so exaggerated that I would not be surprised if she were outed as a transvestite, and her intoxicating perfume poses more threat to the environment than any inland carbon footprinted aeroplane journey. My memories of family get-togethers are tainted not only with her presence, but with her insistence on informing me and everyone else present that I was very fat and needed to lose weight. Apparently now I am thin enough to merit a place at her dinner table, where I will inevitably be presented to a panel of (in)eligible Jewish bachelors.
This time, I don’t have the energy to fight my mum on this one. My dating website experiences as well as my mum’s attempts to marry me off make me think of what Jacqueline Rose wrote in the introduction to her brilliant book, States of Fantasy. I often think of this: she referred to the postmodern identity crisis; belonging “everywhere and nowhere at the same time”. This is how I feel. I know on paper I’m a “nice Jewish girl” (as long as I have edited certain details on that paper, hahaha!), but the suburban sell-out dream that will be waiting for me at Auntie D’s Friday night dinner table will just not do it for me.
It’s a funny place to be. I have just fought my way through the most difficult 6 months of my life, and have come through intact: a little bruised and still cynical, but stronger, self-confidence intact, still optimistic and still curious and excited about life, grateful for the many relationships in my life and all the opportunities I am fortunate to have. I have learned an enormous amount about myself over the last 6 months. I am looking forward to starting my new job on Tuesday. Everything is falling into place. I belong everywhere…
…and yet I also belong nowhere.
23 June 2007
Fragments and Perspectives
There were no expectations, no over-hyped anticipation, just a feeling, a knowing, like the time I was summoned to The House, and I knew the announcement before it was made. I had sat down in the annex and written it, written my response, purged it from my system. So I was calm. And when we came face to face, we continued from where we had left off, which was nowhere – and yet everywhere. Like the announcement, like The Pond, like standing on the balcony in Israel: it was meant to be, and it was part of me. It was an oceanic feeling, and it was like the ocean; vast, clear, natural, sparkling, and just there. But hidden beneath, there is a destructive anger that can consume and kill and leave you helpless and drowning.
The words in The Rooms are all the same. We share the same Story, the same history, but the contexts differ. Although I am silent, my story is spoken for me in The Rooms.
My context is The Pond.
I experience my hunger now as something beyond a physical presence. I carry it inside me. It is there in my heart, scratching the wound that has not yet healed. It is there when I wake, there when I sleep, when I walk, talk, think, breathe… it is an ache, a yearning, a desire, and it engulfs me completely. It comes from the place in which I store my memories, my language, the feelings associated with that time. It is my temps perdu, and it has returned to haunt me.
She is emphatic: The soul does not leave the body until after the death. I don’t believe her, though. I know that we received an unspoken message beside The Pond.
It was beside The Pond that she took my hands, looked deep into my eyes and promised me that it wouldn’t happen. It did. 3 weeks later. It was driving alongside The Pond that I threw a lit cigarette out the window and it missed and lay on the back seat of the car, burning a hole in the upholstery, and I panicked and turned around and forgot to steer and almost crashed the car. Another time, I was driving past The Pond, circling restlessly because I hadn’t heard any news, and she called me and told me that it might happen, it might just happen, and she couldn’t bear to speak the words; her voice was barely a whisper and when I made her repeat them, she shouted them out. The words bounced off the surface off The Pond, like a painful bellyflop, and slapped me in the face. I nearly crashed the car that time too.
I want to be you, I think. I want to inhabit your body and your soul. I want to be in your life and to be your life.
Always a drama, by The Pond. When we were undercover, trying to be inconspicuous, and they found us and took us away, the sirens blaring. In the storm, navigating our way around in bare feet with no umbrella.
When he pulls me close to him, the outside world melts away. There is no sense of time, of past, present or future, no loss, no pain, no lack, no hunger, nothing to purge. There is only the here and now of the embrace. I am light, unburdened, unencumbered. As in the hospital room, nothing else exists; nothing else matters. This is all there is. Just… this.
The Pond is my link to the past, I think. Water is another transcendental element. Natural, powerful, flowing. It washes away. It extinguishes my fire. It can drown…
I have left my body. My soul is somewhere else. The hunger is now nausea, like an abjection waiting to happen, that I cannot control, that does not happen somehow. I cannot feel my body; neither sexually, nor physically; neither as too much, nor too little. It is melting away, but without my knowledge or consciousness. It is changing; I am changing.
22 June 2007
Cynicism and Hope
21 June 2007
Revelations
20 June 2007
I'm So Sad...
A Bit of Kulcha
The exhibition itself was very patchy; some of it was very carelessly put together, parts of it bordered on social offensiveness (in terms both of what it omitted and what it chose to include out of political correctness), and some of it was outstandingly wonderful. My cultural outing was marred only by a sweaty man with terrible body odour and halitosis, who kept getting too close and breathing heavily on me, and having to be ushered outside for half an hour when the fire alarm went off. (I find fire alarms really bloody irritating. I always refuse to leave my desk at work during fire drills, and once, the office services manager had to forcibly remove me from the building, because I was trying to close a deal with a client who was about to go on his honeymoon and I thought the contract was more important than standing in the street, while self-important jobsworths paced up and down in fluorescent yellow waistcoats (in broad daylight!) barking orders. But anyway, I digress.)
I adore photography, which has rightfully earned respect as a form of art in itself, as well as serving as integral historical documentary and an important journalistic form. I did feel that the exhibition could have made more of this. Focusing chronologically from 1840 until the present day, I thought that the era divisions were a little random. The first part of the exhibition seemed to look more at early photographic technologies and themes, and it only became more socially, politically and culturally exploratory later on.
Its opening claims that “[t]he unique story of British photography exposes a strong social conscience, a love of the ordinary, an intense curiosity and the constant need to record” were overblown and over-generalised: doesn’t all photography necessarily do this?? I also found the idea that the photography represented “a constantly shifting notion of British identity” bordering on offensive. First of all, the only Britishness in the exhibition seemed to be Englishness(!) and secondly, I didn’t feel that the exhibition explored this theme enough. In many ways, much of the exhibition had been thrown together randomly.
In 2 of the sections, the explanatory blurb boasted of the proliferation of women photographers very early on, which was pointless and patronising. If they were trying to make a statement about how inclusive of minorities they are (after the “Britishness” gaffe), they failed miserably: to include a mere 3 photographs of the Suffragettes, one of the most politically and socially significant political movements in Britain (none of which included iconic images of women chaining themselves to railings!) in the 20th century, was an absolute travesty.
I have taken pages of notes, which are very boring to read, so here are a few of my thematic highlights (I am glossing over photographic postcards, and themes of gardening, cookery, the countryside and natural history, all of which I find crashingly boring):
1. Images of celebrities and royalty. I love portraits. One of my favourite spaces is the National Portrait Gallery, where I am known to indulge my obsession with Tudor history and can spend hours staring at portraits of King Henry VIII and Queen Elizabeth I. I am fascinated by the 3-way interaction between the viewer, the artist and the subject, as well as the propaganda aspect and constant shift of religious values. Portraits in this exhibition included a collection of portraits of Queen Victoria, portraying her variously as wife, mother and monarch.
2. The portrayals of the “little people”, banding together to fight, in their own small ways, for social change. There was a great collection of photographs published in New Left Review from Humphrey Spender (1936), of the Jarrow Marchers, a group of 207 men, who marched to Parliament from North-East England to demonstrate against poverty and unemployment.
3. How photography, perhaps more than any other art, can simultaneously convey the dichotomous relationship between poverty and affluence and show war and glamour almost comfortably co-existing in one single still.
4. Playing around with different notions of nationhood. This was more implied than explicitly shown (but what would you expect from an exhibition of Britain that only looks at England?). I really enjoyed the snapshots of early-mid 1950s life in Bethnal Green (Nigel Henderson), of mid-late 1960s Notting Hill (Charlie Phillips) and Roger Mayne’s Southam Street collection (1957-ish), showing the shifting cultural diversity on Britain (specifically London!)’s streets.
5. Fashion and style! Yes, I have a particular interest in this, but actually, it reveals a lot about progressive culture, particularly post-WW2. I loved Norman Parkinson’s collection of beautifully dressed models, theatrically posing against a backdrop of the city (Fashion and the City – 2 of my greatest loves!) and Derek Ridger’s portrayal of the new wave of London clubbers, looking at Punks and New Romantics. (But where were Vivienne Westwood and Malcolm MacLaren in all of this??! – another weakness of the exhibition). There was also some work by Jason Evans; a shoot entitled “Strictly”, which appeared in i-D Magazine in 1991. Styled by Simon Foxton, it showcased a collection of macho streetwear, which was also very effeminate, and was modelled by black men, in an attempt to break stereotypes.
6. The political consciousness, anger and social rage of the 1970s (which I could happily and wistfully talk about for hours – oh what has happened to us?) There was also a shift in form and representation (which I won’t go into here), and a lot of the photography turned from documentary to satire, where “Britishness” was cariacatured. I found the most powerful and moving images in the little detail (and this I particularly enjoyed because of my strong interest in other people):
· Nancy Hellebrand’s images of random Londoners in their (mostly squalid) homes (ps, the “Britishness” was very London-centric);
· Chris Killip’s portrayal of the effects of economic decline on the people of North-East England
· Homer Sykes had produced some excellent images which played around with themes of representation; his images included accidental participants and spectators to the central image – brilliant
· Martin Parr’s colourful satire on the attitudes and aspirations of the English middle classes – I loved the self-awareness and problematising of the fact that he had benefited from the very political order he opposed (don’t we all struggle with that but do nothing about it?)
7. Significant social changes and Thatcher-hating in the 1980s
· A couple of excellent Anna Fox images were used, looking at office workers around 1987. Apart from the ghastly hairstyles, fashions and brick-sized mobile phones, one image showed the reception area of one office with a picture of Maggie hanging on the wall behind them. It was creepily Stalinesque, and also kind of reminded me of the excessive Sadaam imagery in Iraq. Also, another image of yuppies stuffing themselves with rich, fatty food
· Aspirational “Britain” – in this case Romford, Essex, around the time of the “Right to Buy” council-owned homes policy
· Greenham Common…
8. The final part of the exhibition, focusing on the 1990s until the present day (when, interestingly, the commercial aspect of photography as a genre has largely given way to the acceptance of photography as a valid and respected art form – again, sloppily compiled – included some powerful images:
· Chris Harrison’s postmodern images of WW1 memorials in contemporary surroundings, eg outside a large Tesco store. Yes, it’s vulgar, but it’s also modern, and represents change, movement, modernity, the cycle of life, the future, rebuilding, a shared history and future, etc, as well as being representative of (at least) London architecture
· Penny Klepuszewska’s “Living Arrangements”. God, I found this so moving. 4 images, showing simple, everyday objects belonging to elderly people, against a dark background, eg one of those old-fashioned handbags old women always carry, or an old-fashioned radio or a blanket. Intended to address loneliness and bereavement in old age, it also reminded me of those heart-breaking Holocaust images of piles of people’s abandoned and very personal possessions, like shoes or glasses, or carefully labelled suitcases.
· Albrecht Tuebke’s collection of images of random citizens of London. Not images of stereotypes or people who blend into the background, but some of the more eccentrically dressed and interesting-looking people one finds in London (usually harassing you on the Underground).
Finally (if anyone can still be bothered to read on), the Tate Britain invites members of the public to contribute their own images to the exhibition (how fabulously postmodern, darling!), under the theme of portraiture, landscape, still life or documentary.
I am going to think about what image I could contribute…
18 June 2007
I'm Getting a Grip...
Man: Well, I think that the majority of people in relationships just… kind of… drift. They don’t want to think about where it’s going; they just want to live in the moment, because it’s easier to carry on without engaging in scary questions about the future:
Woman, clearly still harbouring utopian fantasies about living happily ever after with her boyfriend, mumbles something in protest.
Man: I think that the population is divided 70-30. There are those 30% of people who know what they want, and are absolutely sure that they want to be with their partners for life [PS, I interject here, to add that my friend I thinks it’s more like 5%. Personally, I think it would be a miracle if that figure was even 1%.] The other 70% simply don’t know what they want and are just in the relationship because carrying on is easier than questioning it and opting out.
Woman looks like she is about to faint. Ever the cynic, I suppress a smug smile as I carry on eating my sunflower seeds, and squint at them behind my oversized sunglasses.
Woman: But you’re in a serious, committed relationship. You’re in the 30% surely…
Man: I change my mind all the time. I can be in the car and I’ll turn one corner and think “yes, I definitely want to marry her and have children with her”, and then I’ll turn another corner and think “no, it’ll never last”. But it’s too much headf*ck to think about it too deeply, so I just carry on in the relationship, not sure where it’s going or whether I actually want to be with her.
And you know what, Girls? I don’t find this jaded or depressing. I think this is normal. People don’t know what they want, and that’s fine. We all have issues, and a bit of headf*ck and confusion is fine by me. One certainly doesn’t reach one’s 30s without having “issues” (just ask my analyst, hahaha). I don’t believe the perfect person or the perfect relationship exists, but I believe that occasionally, someone a bit special may come along, for whom – for some inexplicable reason - you’re willing to suspend your cynicism and commitmentphobia and make a go of it. I’m not prepared to do it for just anyone (hence removing myself from the dating website and the dating scene in general), but I know when someone special has walked into my life. And until (or, indeed, if ever) he decides to get a grip, I am going to invest in the people who may be exasperated by me sometimes, but who love and adore me unequivocally and are prepared to invest in me: my Girls!
Let's Pretend
Older man came back out with two pints. I was still on the phone. "Let me talk to her" he said. "I can give her the benefit of male wisdom." "No, "said J on the other end of the phone. Although he was trying to be nice, the arrogance behind this statement got to me. He has met J once, and she found him peculiar (he talked to her non stop about William Golding novels). Why on earth would she rather talk to him than me, her friend that she has rung up??? He then nagged me to let members of the girls become his friends on facebook! Why does he need to infiltrate my life in this way which is quite frankly creepy? After I hung up, he pulled a face. "You've not got any money in your wallet, and you said you did." I was puzzled. "I have some cash." I opened my purse, and there gleeming away were six pound coins. "Oh" he said, "I thought you had a note. I thought we (!!!!!) had more cash than this. It really is just a pint then. Oh, and can you pay me back for the one I just bought you?" Saab man caught my eye again, and I excused myself and went over to chat to him. I felt my spirits lift as he introduced me to his friends as "the girl I met on the plane" and they all smiled knowingly. The girls he was with looked pretty and trendy and slim, but I didn't feel too intimidated. "Let me buy you a drink," said Saab man, "to make up for being such a lazy eejit and not getting in touch." We chatted some more, until Saab man pointed out that older man was waving at me, and I made my excuses. Through the evening, older man kept on hugging me and kissing me. He began to get soppy and needy. "But I'm a good nice person. I will protect you. Nothing bad will happen to you while you are with me." I was upset I hadn't been invited to a party where some of my friends were, and he kept on saying "but I'm your friend, I love you, I'm a good person, my judgement is more important." I couldn't help comparing Saab man, sat at a bench a few feet away, twinkle in his eye, chatting away, waving at me occasionally, with older man, who while he was saying sweet things, was quite frankly beginning to bore me. I'm sure if the right person was saying these things it would be adorable, but it began now to get faintly irritating. We went home. The dirty dishes from the quiche were still in the sink. As I cooked it, older man had promised to wash up. "I'll do it tomorrow," he said. "When tomorrow" I thought. I filled the sink with hot water and began to wash up, and he sat eating a bowl of cereal and reading. I thought of my friends at the cool party to which I hadn't been invited. I thought of Saab man sitting in the pub garden with his mates. And I knew in my heart of hearts that I would rather be with any of them than there in my flat. I didn't want to play Let's Pretend anymore. I know I must seem fickle and changeable to older man, but it is just that at times, it's my favourite game to play - it makes me feel content and secure. And then other times, I just want to tear down the Wendy house out of sheer bloody boredom, and get outside.
14 June 2007
Spotted!
13 June 2007
6 Years On
The few cars travelling northbound on the A41 at this hour moved as steadily as the heartbeat of my father, lying in a hospital bed in a high dependency unit down the road. As the morning progressed, the traffic would slow, and so would his heart. But while the traffic on the A41 would keep flowing, my father’s organ function would never resume. By the end of that day, the residents of Hampstead would have returned home from work, the sun would set on another day in June 2001, and my father would be dead, his lifeless body still warm, as it lay several metres below the ground in rural Hertfordshire.
Losing a parent – and I believe this to transcend any age and stage of life – is literally unrooting. The pain of loss is so tangible that it manifests itself in physical pain. I felt as though someone had reached into my body and ripped out my heart. But there is also an unknown security to many people with 2 parents in the grounding offered by being someone’s child. It places you within a context; the structure nurtures and protects you, and you understand yourself as the product of particular ancestries. Losing that, or part of that, literally threw me.
I learned, in the days and weeks following his passing, about my father as a person. I watched his parents, wife and other daughters mourning him; observed the loss felt by his close circle of friends; listened to the anecdotes of business partners, old acquaintances and childhood friends. This, while comforting, was at the same time a very alienating experience: the man who had taught me to swim, ride a bike, read before I had even started school, (pushy Jewish parents!), who taught me how to change a tyre on a car, who spent hours explaining to me the structures of European politics, was not just my father: he was an independent person, known to many people in lots of different ways. Again, this was quite disconcerting; I didn’t know what – or who - I was mourning.
With hindsight now, I recognise that my behaviour and life in the last 6 years has been part of an attempt to build a structure and foundation for myself that was knocked down when I lost one parent (and the relationship with the other naturally shifted as a result). I threw myself into my career and my further studies with vigour, drive and determination, I changed my lifestyle and diet, became an exercise enthusiast, ran 3 marathons and took up kickboxing and weight training, and lost nearly half my body weight. I set myself harder and more demanding goals than my father ever would have required of me.
In the process, I have become incredibly strong. With no one to rebel against, I have instead adopted a conciliatory attitude towards my dad. In a strange way, our relationship has continued and matured beyond his death. In his absence as a sounding board and someone to argue politics with, I have had to learn how to form an intelligent opinion by myself (still working on it!), and become more confident in delivering an argument. And somehow, I have taken on many of his characteristics. A growing cynic, I hold no spiritual beliefs about my dad looking down on me, but I do feel that I carry him inside me, and this continues to form the person I mature into.
I still feel that a part of me is missing, but in its place, a new part has grown. This morning, as the traffic moves steadily through the streets of London, just as it did on that morning 6 years ago, the cycle of life continues.
Let’s make the most of it.
10 June 2007
Blind Light
1) Event Horizon: this is a project which sees life-size figures - casts of the artist's body- placed on rooftops and streets around the Hayward. All the figures face towards the gallery's main outdoor, roof-top sculpture terraces. A whole series of paradoxes and oppositions thus occurs. The streets and the roofs surrounding the gallery become the site of the work, but the place for viewing it (the gallery) has been emptied of content. Therefore, in order to see the sculpture, we also interact with the city scape itself, which becomes part of the sculpture. As the eye seeks out a far off figure on a roof top a mile away, so it also takes in the scope of different shapes - the soft curve of the London eye, the blocks of the Shell building, the triangles of the Hayward roof. The built city turns into sinuous sculpture, a play of shapes. Or the sculpture becomes architectural, part of the city, fixed into its buildings. Furthermore, people on the viewing galleries looking at the sculptures point to horizon, huddle in groups, forming the shapes of classical sculptures themsleves as they hunt for sculptures elsewhere. So the people on the sculpture terraces themselves become sculptures, part of a living, flexible sculpture. Our bodies are like the casts of Gormley's figures, husks that contain us, but are not us.
2) Blind Light: Blind Light also offers this kind of paradoxical play between the act of looking at art, and the act of being part of a work of art. From the outside, you can observe people vanish as they enter a brightly-lit, cloud filled box. Inside, the visibility is extremely limited (less than two foot) and in the middle of a gallery, you feel yourself lost on top of a mountain, unable to see anything (but your hands, following the wall to guide you round, can be seen by people on the outside). People giggle, loom out of the mist. Sound carries. It is spooky, disorienting, and there in the middle of the city, you feel the strangeness of other places.
This is a wonderful exhibition. It makes you think hard about what it means to look at Art; what it means to live in a city; what the difference is between sculpture and architecture; what the difference is between inside and outside. Where does the body stop and the world begin? As I walked back across the river, feeling the delightful warmth of the day on my back, I felt a contentment spreading through me, as I experienced the city itself as a work of art, a kaleidoscope of ever changing colours and shapes. It made me think that one of the functions of art is one that asks us to relook again at our surroundings, that suggests something new about our most basic experiences, and that reminds us of our common humanity. Go and see this exhibition!!
Celeb Sighting Alert
07 June 2007
A Candle for Daddy
Flame
There is a flame
Inside my heart
It burns
It rages
It flickers
It lights my being
I carry it
always
It enlarges my heart
It melts my heart
It bleeds my heart
Powerful,
It rips out my heart
It severs the bond between sisters
It will not go away
Will not be extinguished
At the end of the battle,
The fight to exterminate me,
It burns still,
The miracle flame
Symbol of
Survival
Of hope
Of luck
Of love
Of memory
Of destiny
The inferno
I am burning alive
I am a human fireball
Writhing in agony
And then it softens
As a scented candle
But it is there, always
Constant as a Sabbath candle
It transcends
My history
My future
Our shared pasts
Simultaneous, universal time
It grows
It shrinks
I feel the cold
But my fire still burns
Angry and threatening
Familiar and comforting
I light a candle
The match is forgotten
But the flame still burns
I carry it
It possesses me
We carry each other
I light a candle
Daddy
02 June 2007
Being Older
01 June 2007
Spotted! - and Beauty Tip
- Spotted at Gilgamesh (again) last night: a thin-looking and very black-haired David Gest, dining with - opinion is divided here, due to alcohol-induced blurred vision and general darkness inside Gilgamesh - a woman who we think may have been Glenn Close, an actor whose name I can't remember and a beefy bodyguard type person.
- Beauty tip (this is incredible): If you want to tie your hair up (eg at gym or to sleep), but don't want to end up with an unsightly dent in your hair, use a (clean; unworn!) pair of lacy French knickers! It's amazing. Everyone will think it's a scrunchie. And it bouffs up your hair as well, leaving you looking uber-glam and dent-free!
28 May 2007
Sleeping Beauty
One day, her Mummy had another little girl. This little girl was very adored by everybody, and because a middle child had died, she seemed even extra special. Then, their Daddy got a new job, and the little family moved from the cul-de-sac to a big white house by the sea. Sleeping Beauty grew up in the big white house. She read her books, and played with her sister, and went to school. Sleeping Beauty didn't like school very much, but then as she got older, she discovered that she enjoyed some of the subjects, and really liked studying History and languages. Everyday was like being nested in a big duvet, and Sleeping Beauty was asleep even when she was awake. She enjoyed being in a safe home, and even if she was asleep, it was comforting, and everyday she felt cherished. Sleeping Beauty didn't want to leave the big white house by the sea, but her Mummy told her she had to go out and see the world, because she would rot if she stayed asleep in the idyllic place by the sea. Sleeping Beauty cried at the thought of leaving, and felt scared by the thought of big cities, and unknown places. But her Mummy told her she would be ok, she had to awake from the dream one day, so she left.
Sleeping Beauty blossomed away from the big white house. She studied hard, and went to parties, and met princes. Many princes tried to kiss her, and she let some of them. Sleeping Beauty didn't need a prince to wake her up though; she travelled afar, and lived in exciting new places, and discovered that cities weren't scary, but were full of life, and culture. She felt wide wide awake, aroused from the pleasant slumbers of her childhood. Life seemed sparkling and vibrant, and Sleeping Beauty enjoyed seeing new places, kissing new princes, and meeting wonderful new friends, who were all wide awake too.
Now, Sleeping Beauty doesn't know what to do. Sometimes, she thinks that carrying on being wide awake is the best thing. It's so much fun, and there is so much still to discover. But it's tiring, and sometimes her eyes are sore, and her head aches. All around her, her other friends are gently beginning to snore, and sometimes she even goes and helps them pick an extra silken pillow, or celebrates while they wrap themselves in a golden blanket. Friends ask her which bed she thinks is most comfortable, and sometimes her friends pick what seems to Sleeping Beauty a bed of nails, but Sleeping Beauty understands it is still a bed, and sometimes you just feel the desperate need to lie down.
Sleeping Beauty wants so much to stay awake, so she won't miss a thing. But she is worried about who will keep her company when all her friends are asleep? So far, only unsatisfactory beds have been offered to her. But, alone, awake, staring at the small dark hours where sleep just won't come, Sleeping Beauty allows herself to fantasise about feather beds, and goose down pillows, and sleeping in a big white house by the sea...
23 May 2007
A Message from the Universe
Then I felt a tap on my shoulder. A tall, dark-haired man asked me if I minded if he sat next to me. He sprawled his madly long legs over the chair, and sat reading his Times. We did up our seatbelts, and cute ginger gay boy asked me if I'd ever taken Valium - he said I seemed like the type!!! c.g. gay boy lent over me to chat to tall man. "Sorry we're giggling," he said, "I'm a little nervous. " Tall man looked up from his Times. "Not at all, not at all." Then he turned to me, and asked why I was visiting Belfast. I told him he should be broad minded enough to not be fooled by the accent, and that actually I lived in Belfast. "Really?" he smiled. We began to chat about where we like to go out in Belfast, my job, his job, London and how ineffably cool it is, and then the drinks trolley came out. Tall man nudged me - "Let me buy you a drink". As I sipped my gin and tonic, cute ginger gay boy nudged my other elbow. "You're good," he said, awe struck. "You're getting a new boyfriend, aren't you?" "What's that?" asked tall man. "Are you going to marry her?" asked cute ginger gay boy. "Oh yes" said tall man, "and we'll invite Stelios to the ceremony". I said that I thought if you got married after meeting on an Easyjet flight, you should be entitled to free flights with speedy boarding for life. "So, F", said tall man, "do you drive?" "No", I admitted. "Oh, let me give you a lift back from the airport then, it's no hassle."
We carried on chatting/flirting.
Once we disembark off the plane, and are stood waiting for our bags, I appraise tall man. V V tall, about 6ft 4. Cute dark hair and dark eyes. Young (in fact, exactly one month younger than me, I found out). Good accent - Belfast, but softened by a few years in Dublin. Slim. Great jeans. (He does all his clothes shopping at Selfridges in London).
We made our way to the long stay car park. Then he showed me his car. I was expecting a Renault Clio, or a Ford Focus. No, it was a massive fuck off Saab with cream leather seats, and a woman who told you off if you weren't wearing your seatbelt. Tall man (maybe massive Saab man now?) carried on chatting away, and we got into a good conversation about Tony Blair, and whether or not he is sincere, or just a bloody good actor. Maybe it was the gin and tonic, or the cream leather, but I was getting good vibes -the best I've had in ages.
As we turned onto Stranmillis Embankment, tall man said, "So, F, you have to give me your number so we can meet up. I've got a bunch of great mates I'd like you to meet." "Sure," I said. He drew up outside my house. "So, what's your number then?" he asked. I gave him my number. "What's your surname?" he asked. "Really, do you have to know?"I said. "It's really strange and embarrassing." I told him, and he laughed. "And no, I don't know what it means, or where it comes from," I added. "Well, I'm not going to forget you now," he laughed. "I'm out on Saturday for my birthday," I said, "give me a buzz then, and we'll see if we can all meet up." He rang my phone, so I had his number. I got out of the car, thanked him for the lift, and shook his hand. He drove off, bipping his horn as he left.
Oh God. Does he like me? What about the mates thing? Is it a mere friendly thing, or is it more???
Anyway, whatever, the universe has sent me a message. I'm not that interested in older man, and more is out there, waiting on Easyjet flights. Thank God for the low cost flight revolution.